THIRTY-SEVEN CENTS
Vol. 3, No.12      An Online Chapter of Missouri State Poetry Society     1 December 2004
 


THE TOUCH OF A POET

"Whose woods these are, I think I know," Robert Frost wrote, and then continued in his poem to describe a natural scene that is appreciated by the poet, but not appreciated at all by his horse, and not appreciated enough by the absentee owner of the woods.  This contrast between those who see value in stopping by the woods on a snowy evening to saturate themselves with beauty and those who don't place value on such an experience reminds us that some people have the "touch of a poet," some don't.  It is this distinction that keeps us writing, this "mark" that the Greeks attributed to the Muses.  We see a sight like the forest pictured above, and immediately the creative juices stir, we grab our pen (or our computer) and record our feelings, our response.  Because we have the touch of a poet, we register these emotions.  Not all of us, however, are quick-draws who "fire first"; some instead recollect emotions later "in tranquility," as Wordsworth put it.  Whether you write today or tomorrow, you must write.  You have the touch of a poet.
                                                                                                                                                  -- Tom Padgett, editor
 

 CONTENTS:

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  Poems by Members
         
 
Workshop

 Missouri State Poetry Society

Winter Contest

Spare Mule Online

National Federation of State Poetry Societies
 
Strophes Online


ASSIGNMENT FOR JANUARY

Some of you have asked if we could have monthly assignments, so for those interested we will resurrect the Workshop page and challenge ourselves to learn some new forms or write poems on certain subjects.  We will continue to publish old or new poems in Poems by Members, but poems written for assignments will go in the Workshop page.  Members are asked to suggest topics or forms for us to write.  For January we are challenged to write a poem in syllable count lines following the example of Marianne Moore.  Note her poem "Poetry" (see Poet of the Month, first web site listed).  Some arbitrary rules for our assignment:  Write at least 3 stanzas with at least 5 lines in each stanza.  Set up a pattern of syllables per lines per stanza, such as 9, 5, 9, 4, 7.  Make each stanza follow your pattern, but note that you can cheat (as Moore does) a bit on your count if you need to.  Line breaks and syllable breaks are strictly by numerical count, not by punctuation.  Note how the poem  has no rhyme, has no phrase or line repetition as free verse often does, has no regular iambic feet or pentameter lines as blank verse.  It sounds like prose poetry, but it has lines and stanzas, and both lines and stanzas break in quite unusual places  (to get her syllable count, Moore breaks one line with a hyphen).  The idea or meaning of the poem is the main thing.  Try it.  Send me your poem as soon as you can.

HAVE YOU VISITED THE WORKSHOP LATELY?

Click Workshop and do some of the lessons there.  Nancy Powell recently completed several lessons.  I will add a few of these per month.  Thanks, Nancy.

HAVE YOU READ YOUR ONLINE NEWSLETTERS?

Remember to read Spare Mule Online and Strophes Online. You can keep up with members who get newsletters by mail by remembering to read them on the Net. The October 1 issue of
Spare Mule Online and Strophes Online are available to you. 

HAVE YOU READ THE BULLETIN BOARD?

Remember February 15  is the deadline for our MSPS Winter Contest.  Details are given on the Winter Contest page at the state web site.  Click
Winter Contest.

POET OF THE MONTH: MARIANNE MOORE

Begin by visiting the Academy of American Poetry site for a bio, some letters, and several poems:

http://www.poets.org/poets/poets.cfm?45442B7C000C0F02

Additional criticism and poetry may be found at these sites:

http://college.hmco.com/english/heath/syllabuild/iguide/moore.html

http://www.csustan.edu/english/reuben/pal/chap7/moore.html

http://eir.library.utoronto.ca/rpo/display/poet232.html

http://www.todayinliterature.com/biography/marianne.moore.asp

http://www.poems.com/threemoo.htm 
 


POEMS BY MEMBERS:

ALLITERATION
Bev Conklin

alliteration always asks for ancillary adjectives,
but with brevity being the best betrayer of boredom,
can conniving conjugationalists be considered cannily correct
doing diversionary didos, directional dashes, dots, diminishing
effects, thereby excising excessive extras by . . . ENOUGH!


MAN AT HIS BEST STATE IS BUT VAPOR
Psalm 39:5
Nancy Powell

A scorching thirsty sun draws silver dew drops,
and misty frothing fog parches river beds
and burps out clouds.
At first they float, innocent as dust balls
until multiplied. Then they fight for space,
twisting, rolling, bruising blue-black.
Sparks of conflict fly. Perspiration,
chilled to stone, plummets a path
for a whirling funnel of fury.
At last, sun pushes through,
spreading a healing balm of prisms.
Once life was cloudless,
now I pray for rainbows.
 

THE PLEASURE OF YOUR LIGHT
Valerie Esker

Christmas Eve,
while we sipped eggnog,
I drank-in your eyes,
your eyes that in the dim-lit room,
reflected twinkling tree lights.

Your smile lit the room too,
but your eyes, my year-round friend,
your eyes brightened my mood,
lit my heart's season,
light up all my dark soul-corners
yet radiant from that optic love-shine,
since Christmas Eve.


O’KEEFE MEETS FROST
Judy Young

Georgia lived in this sky.
She had brought her colors north,
Glazing this massive canvas raw and rich
With the azure of her startling southwestern skies,
Turquoise descending, replacing the deepening gray
Of the quickening evening
Until converging with an orange glow,
A thin strip the color of burning
As she set the sun.
Remembering blazing fire of desert heat
And warmth of stark adobe,
She painted on my horizon
a backdrop of complimentary colors behind
The tangle of impervious black branches
Etched dark and deep in winter woods
Frost visited before he slept.
 

ADAM'S CURSES
Mark Tappmeyer

“Only much later,

and hesitantly at first,

they thought to plant

another garden.”

            --Linda Pastan

 

Wearing the town’s gardens

on his boots and cuffs,

the old man

nicks at the hardpan

of what he thinks is

my bedeviled yard.

His three-horse tiller

grinds and bumps

the unrepentant sod,

over which he grunts

 
       I’ll fight on till kingdom come
       though these arms fall limp, then numb.
     

       But if this dirt won't free, it’s no big loss. 
      
Last year's got nipped by killing frost.
       Tomatoes rotted.  Beets went pithy.
       Sweet corn scabbed into a pity!

 

       I suppose that in a year that's lean
       you'll eat even a shriveled bean
      and soon you'll cherish the misfit
      because you've grown a taste for it.

 

which, over time, I can

seem to understand.

 

STOPPING BY WOODS ON A SNOWY DAWN
Todd Sukany

 

Whose cakes these are I think I know.

His bakers?  Artists in dough,

He will not see me hesitate

To walk his Woods with cart in tow.

 

My little lug must find me smart

To navigate these aisles with other hearts

Searching the Woods

For the richest Bavarian and quart.

 

I glaze a nod past some cheesecake,

Avoiding eye contact and hollow handshake.

The only other sound's the squeak

And grunt of the cart pusher’s snake.

 

Though Woods is Christmas, crimson and jade,

I have meetings to attend but delay,

With more donuts to meet before I pray,

More donuts to eat before I pray.

 

PROFANITY
Tom Padgett

Sidewalk glazed with icicle drip,
down goes no-gentleman who slipped
cursive as flourishing penmanship.


CULINARY FAILURES CONTINUED
Pat Laster

Fiasco number nine
resulted from an egoistic need
to prove a point
Some forty years before,
I’d been selected
Girl-Most-Likely-to-Succeed.
We classmates still alive and well
were celebrating once again.
I found a recipe for “Tuna-Dilly Dip,”
prepared it in a fish-shaped mold.

All night it languished,
placed amid the open bags of chips
and store-bought cans of dip and nuts,
moon pies and Oreos and candy bars.

Successful? You decide.
By party’s end, the squirmy, jellied mass
lay limply on the soggy lettuce leaves,
caressed by pale and bloated
Harvest Thins.

Please turn the page
for failure number ten.
 

METAMORPHOSIS
Tania Gray

One-half "Mojave," half "Safari,"
hybrid color hair takes years away.
The face is blessed by genes—
her aging lines erase,
dissimulating truth with smiles that lie.
Hydroxy-acid skin renewal cream
religiously peels off the liver spots.
She visits higher stratospheres of thoughts:
"become the woman featured in your dream."
But it's the body mass that trips progress,
the body used to having its own way
will not surrender cellulite today.
Advance up Sans Salt Hill!
Sustain the press, step over drop-outs,
keep momentum up. Think thin!
Drink Evian from a silver cup.


WATER DROPS
Jean Even

Water drops on the way,
Sparkles in the sun with display
Like diamonds in a ring.
Small are they, clinging tightly to bring
About some hope of lingering.
The last drop to fall is the weakest.
The weakling is disappearing
Into the unseen, vaporizing,
So they can come another day
As liquid diamonds on display.


WRETCH TO DUST
Harding Stedler

Like skeletal remains,
that old Ford truck,
abandoned back there
in the Dust Bowl,
sets hapless now.

One rusted fender reads "FOR,"
the other "SALE."
Its headlight sockets empty,
and the chrome grill missing,
it fades in a jagged field
of sedge.

Yet, the driver's door
stands open as if in welcome.
A mirror image of myself,
zeroing in on seventy,
with fading vision
and arthritic joints,
barely hobbling along.

No more races to run
for either of us,
no hospitality left.
Just an open door
for folks to wander in,
though no one ever does.
 

ANOTHER CHANCE
Velvet Fackeldey

Jerry built a fire
in the fireplace Christmas day
and I didn't stop to notice,
didn't really look.
If I could go back now
I'd soak up the warmth
and let the light fill my eyes
and listen to the crackles
and think nice thoughts.
If I could go back now . . .


MOTHER-DAUGHTER DANCE
Phyllis Moutray

Last night I dreamed
I had a mouse in my refrigerator.
My precocious three-year-old daughter
dreamed a bear was in our pantry.

Her bear and my mouse
will dance tonight in my dream
just as we dance in our play
following her day care and my work.

We enclose each other in the warmth
of our mother-daughter embrace as we
play Candyland, cook spaghetti for dinner,
welcome her father home from his day.

Then I enforce her evening bath and bedtime.
Am I her bear and she my mouse?

VISIT WORKSHOP FOR AN ASSIGNMENT.

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