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011 Siegel, Lee. "Paul Zweig's Journeys Into the Self." New York Times Book Review June 18, 2006: 27.
Paul Zweig, a "fierce little man," according to Robert Bly, died of lymphatic
cancer in 1984 at the age of 49, but he is well worth visiting. His poetry
is inspired, especially Eternity's Woods (1985). Zweig's main
achievement, however, lies in prose works that develop his ideas at greater
length. The Heresy of Self-Love lyrically traces the idea that
narcissism is a private stronghold against the mechanized modern world.
Withdrawal into the self was not an isolating pathology for Zweig; it was rather
a means of gaining strength to sustain one's own nature. Individuality was
Zweig's passion. He saw it both as a buttress against impersonal forces
and as a portal to a more meaningful life. But the impossibility of having an
experience and making sense of it in words at the same time tormented him.
He wanted to live out dramatic thinking, which depends on a fundamental
detachment from self in order to understand it and write about it. Zweig
wrote about his inner and outer tumult with absolute, unsparing, unsentimental
control. His words seem to have fermented in his self-understanding, and
Christopher Lasch in The Culture of Narcissism (1979) cited him as
a case study in feelings of emptiness and inadequacy. Actually, Zweig was
ahead of his time, for self-love is no longer a heresy. Self-obsession has
become an-all pervasive cultural style.
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